Some people have been fast to adapt to the FCPX Colorboard. This plugin brings back strong grading features into FCPX, in particular curves and color wheels. I won’t reveal here which FCPX plugin won last year’s challenge but amongst the plugins put to the test was Color Finale, from Color Grading Central. The goal is to find a ‘winner’ plugin, the one you would certainly pick if you could only use one along with your editing program. If you’ve been following Patrick’s ‘Desert Island Challenge’, you know he is reviewing different plugins aimed at increasing the grading experience in NLEs (first FCPX, and now Premiere Pro). How to set up the new Color Finale Pro with the Tangent Ripple? Feel free to welcome Christophe in the Comments! Now he joins them in the Library with his first Insight: A look at the new Color Finale Pro plug-in for FCPX. Since 2014 Christophe has been the Mixing Light ‘Member-At-Large’, keeping Dan, Robbie and Pat on the straight-and-narrow. These looks can give you exactly the color grade you want, or your can apply them and continue tweaking and adjusting to dial in that absolutely perfect look.Tutorials / Color Finale Pro First Look Welcome Christophe Delaunay as a new contributor to the Insights library. They often design these looks for specific purposes, like color correcting footage shot by their cameras, or for emulating the distinctive looks seen in movies and TV shows. Many camera manufacturers, software companies, and independent producers offer downloadable LUTs or LUT packs. LUTs are specifically engineered for different types of footage – LOG, RAW, Rec.709, Rec.2020, HDR, and more. You can use any LUT on any footage, but if you apply a LUT meant for a specific type of footage on a different type, you may get a look very different from what you expected. But then, it may also give you a result you like, so you’re free to experiment as much as you want. LUTs are non-destructive, so you can load and delete them at will. If you don’t, you may not see the results the LUT is designed to give you. The look LUT contains instructions to create a pre-determined desired look in your footage, which can be an incredible time-saver in the color grading process.Īlways color correct before you apply a look LUT, because look LUTs assume baseline natural color. The difference between them is when you use them in the process and for what purpose.Īn input or camera LUT, used at the beginning of the color-correction process, adjusts the footage so that the color-correction tools work properly. Color-correcting footage that needs an input or camera LUT without one may lead to unexpected and unsatisfactory results.Ĭonversely, you usually apply a look LUT after you’ve done color correction and have moved on to the color grading phase. You use it to dial in the exact artistic look you want. The next two types of LUTs can be either 1D or 3D LUTs, but are most generally 3D LUTs these days. As such, a 3D LUT is much more flexible and powerful, and really the only way to achieve a truly cinematic color grade using a LUT. cube format) has three axes that adjust hue, saturation, luminosity, gamma, and contrast separately and can change as conditions in the image change. The one parameter affects all colors, saturations, and contrast. A 1D LUT takes kind of a blanket approach the adjustment applies to everything in the image without much flexibility. lut format) controls a single parameter, generally the gamma. Useful Tips: Understanding What Color Correction And Color Grading Are – And Aren’tįirst, there are two LUT formats, which work differently from each other. There are different types of LUTs used for color correction and color grading during post production. Read on to discover what LUTs are, how to use them, and even how to make and export your own custom LUTs! They’re also more versatile than typical color presets, because you can use them in any software which understands the format, not just the software you created it with, making it easy to share color looks between projects in many different programs. They are similar to color presets you may create and save, but much simpler, as they contain much more information and can apply adjustments to many different properties of color all at once, whereas presets are often much more limited. And they do so completely automatically. Simply put, LUT are powerful tools you can use to elevate your color correction and color grading work. LUTs (Lookup Tables) are a kind of color filter you use to alter the colors in your image. They apply predetermined sets of mathematical formulas to your video’s existing colors to change those colors and achieve a desired result. They make adjustments to gamma, contrast, saturation, luminance, and hue, essentially taking the original set of colors and changing them into a new set of colors.
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